Someone turn off the lights in heaven
so we might find another way to burn.
Let us undress in the mercy of shadow,
in curtains parted by street lamps,
in the curl of your palm over flame.
Come to bed when the world is over
and tell me how we began: a knot
of cells our mothers untangled,
reptilian as the eye of God. Beyond
the roving plains of dust collecting
on the nightstand. Where an engine
turns and wakes and rain writes against
the roof. Come to the garden so that
we might name what grows.

Discussion Questions

  1. What worldviews and traditional stories are embedded in the poem? How do these elements subvert Western narratives?
     
  2. In what ways does the poem invoke the complexities of diaspora?
     
  3. How does the poem’s use of imperatives invite the reader to imagine a different future? Is it one of despair? Hope? Uncertainty? Restoration?

About Ruth Awad

Ruth Awad is a Lebanese-American author of two books of poetry: Outside the Joy and Set to Music a Wildfire, which won the 2016 Michael Waters Poetry Prize and the 2018 Ohioana Book Award for Poetry. A 2021 NEA Poetry fellow, she is also the recipient of a 2020 and 2016 Ohio Arts Council Individual Excellence Award. Her work is widely anthologized, most recently appearing in You Are Here: Poetry in the Natural World edited by Ada Limón, and can be found in The Atlantic, AGNI, Poetry, Poem-a-Day, The Believer, The New Republic, Pleiades, Waxwing, and elsewhere.

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