Spring 2026 Special Issue

Return to 
Roots: Writing Toward Land

A Special Teaching Issue on Palestine and 
the Global Indigenous Struggle

Spring 2026 Special Issue

Return to Roots: 
Writing Toward Land

A Special Teaching Issue on Palestine and 
the Global Indigenous Struggle

Welcome to the Special Issue

The Dodge calls attention to Palestine as an environmental issue—an occupation of air, water, and land; a forced removal and genocide of its Indigenous population; an irreversible damage to its natural landscape and resources; a violent erasure of its ancestral villages; a persistent violation, exploitation, and continued harm to its wellbeing and ecology at large.

Foreword

Return to Roots: 
Writing Toward Land

The Dodge calls attention to Palestine as an environmental issue—an occupation of air, water, and land; a forced removal and genocide of its Indigenous population; an irreversible damage to its natural landscape and resources; a violent erasure of its ancestral villages; a persistent violation, exploitation, and continued harm to its wellbeing and ecology at large.
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Foreword

Return to Roots: 
Writing Toward Land

The Dodge calls attention to Palestine as an environmental issue—an occupation of air, water, and land; a forced removal and genocide of its Indigenous population; an irreversible damage to its natural landscape and resources; a violent erasure of its ancestral villages; a persistent violation, exploitation, and continued harm to its wellbeing and ecology at large.
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Nonfiction

Itinerary for The Great Trail of War and Trade

Elena Bright
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Guest Editor

Sara Abou 
Rashed

Sara Abou Rashed is a Palestinian poet, speaker, and creator of the one-woman show, A Map of Myself. Her writing interrogates exile, memory, war and belonging broadly defined. Sara’s writing appears in The Kenyon Review, The LA Review of Books, Poetry Magazine, Poetry Wales, as well as the anthologies A Land with a People, Call the Night for a Dream: Palestinian Writing from the Diaspora and 9-12 ELA curriculum from McGraw Hill, among others. A former poetry fellow at the Vermont Studio Center, Sara’s work has been commended by the UK Forward Prize and was awarded the 2023 Hopwood Award for Poetry from the University of Michigan, where she earned her MFA in Creative Writing. A Denison alum, Sara lives in Columbus, Ohio, and is working on her first book or two while occasionally speaking across the country.
Guest Editor

Sara Abou 
Rashed

Sara Abou Rashed is a Palestinian poet, speaker, and creator of the one-woman show, A Map of Myself. Her writing interrogates exile, memory, war and belonging broadly defined. Sara’s writing appears in The Kenyon Review, The LA Review of Books, Poetry Magazine, Poetry Wales, as well as the anthologies A Land with a People, Call the Night for a Dream: Palestinian Writing from the Diaspora and 9-12 ELA curriculum from McGraw Hill, among others. A former poetry fellow at the Vermont Studio Center, Sara’s work has been commended by the UK Forward Prize and was awarded the 2023 Hopwood Award for Poetry from the University of Michigan, where she earned her MFA in Creative Writing. A Denison alum, Sara lives in Columbus, Ohio, and is working on her first book or two while occasionally speaking across the country.

Contents

Return to Roots:

Writing Toward Land

Introduction

Some Text

All Content © The Dodge Magazine and respective authors and artists.

Marlo Starr

Editor in Chief

Marlo Starr is an assistant professor of English at the College of Wooster. Her poems have appeared in The Shore, The Hopkins Review, The Threepenny Review, Ghost City Review, and elsewhere, and she is the recipient of a 2024 Individual Excellence Award in Poetry from the Ohio Arts Council. She affirms the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).

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Marlo Starr

Editor in Chief

Marlo Starr is an assistant professor of English at the College of Wooster. Her poems have appeared in The Shore, The Hopkins Review, The Threepenny Review, Ghost City Review, and elsewhere, and she is the recipient of a 2024 Individual Excellence Award in Poetry from the Ohio Arts Council. She affirms the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).

I am a button

Marlo Starr

Editor in Chief

Marlo Starr is an assistant professor of English at the College of Wooster. Her poems have appeared in The Shore, The Hopkins Review, The Threepenny Review, Ghost City Review, and elsewhere, and she is the recipient of a 2024 Individual Excellence Award in Poetry from the Ohio Arts Council. She affirms the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).

I am a button

Marlo Starr

Editor in Chief

Marlo Starr is an assistant professor of English at the College of Wooster. Her poems have appeared in The Shore, The Hopkins Review, The Threepenny Review, Ghost City Review, and elsewhere, and she is the recipient of a 2024 Individual Excellence Award in Poetry from the Ohio Arts Council. She affirms the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI).

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Contact Us

Do you have questions, or want to learn more? Contact us below.
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I am a heading

This is a sample paragraph.

[1] I am going

[2] Why? Why are you going? Note: repetition unusual in Shawnee, influence of English apparent

[3] Fragment of phrase to indicate want/desire/need/hunger

[4] See above

[5] I don’t know my place

I am a heading

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If I had entered into an animal cell, I might have found myself profoundly confined, abiding by the strict rules of inner and outer, organelles bolted to the floor?

The ocean refluxes into the river. Is it, then, still a river? Or is it a brackish finger probing into the landscape? I squint, as if trying to mark the spot in the water where opposed currents intertwine like the snakes of the caduceus. The water surface, spangled with willow frond reflections, keeps its secret. But at my feet I spot something else: the velveteen dome of a mower’s mushroom pokes up from the grass. I bend down, noticing how the diminutive parasol structure disappears into the fine-grained soil.

Teaching Block

This is a sample paragraph.

[1] I am going

[2] Why? Why are you going? Note: repetition unusual in Shawnee, influence of English apparent

[3] Fragment of phrase to indicate want/desire/need/hunger

[4] See above

[5] I don’t know my place

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Contributors

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington

The Glass Garden

Mila Kensington